E 11 13
Alias: E13
DominantExtendedRoot: EContains TritoneCadential: strong
1/8
1/5
Piano
Staff
Formula1 · 3 · 5 · b7 · 9 · 11 · 13Semitones: 0 · 4 · 7 · 10 · 2 · 5 · 9
NotesERoot/1G#3B5Db7F#9TA11TC#13T
Komponen Chord
11
Dominant 11 menambahkan 11 di atas struktur dominant (umumnya 1–3–5–♭7–9–11). Memberi kepadatan harmonik tinggi; dalam praktik voicing sering dilakukan omit/selective tones agar tetap jelas.
13
Dominant 13 memperluas dominant family hingga derajat 13 (praktik: 1–3–♭7 plus extension terpilih). Warna ini sering terdengar kaya, funky, dan siap resolusi ke chord target.
Fungsi Harmonik
- Dominant function: cenderung resolusi kuat ke chord target (tonik/tujuan cadence).
- Cocok untuk secondary dominant, turnaround, dan tension-release movement.
Roman Numeral Analysis
- V7 (cadential dominant utama)
- V/V atau V/ii (secondary dominant)
- ♭VII7 (mixolydian/blues borrowing)
Skala yang Cocok
MixolydianLydian dominantBlues dominant approach
Rekomendasi Voicing
🎹 Piano
low
1–71–3–b7
mid
3–b7–93–b7–131–3–b7–9
high
b7–9–133–13–b93–b7–#9
🎸 Guitar
low
1–b71–3–b7
mid
3–b7–93–b7–131–3–b7–9
high
b7–9–133–b7–b9
🎸 Bass
low
11–5
mid
1–b71–3
high
1–91–b7–9
Fingerpicking Patterns
Penempatan Jari Kanan
Epopen
Apfret 2
Dpfret 2
Gifret 1
Bmopen
eaopen
Pola Petikan
Pola alternating bass klasik. Jempol bergantian, jari memetik treble.4/4
4/4 · 8 langkah
| String | 1 | & | 2 | & | 3 | & | 4 | & |
|---|---|---|---|---|---|---|---|---|
| e | · | · | a | · | · | · | a | · |
| B | m | · | · | · | m | · | · | · |
| G | · | i | · | i | · | i | · | i |
| D | · | · | · | · | · | · | · | · |
| A | · | · | p | · | · | · | p | · |
| E | p | · | · | · | p | · | · | · |
pThumb (Jempol)
iIndex (Telunjuk)
mMiddle (Tengah)
aRing (Manis)